I've seen
Terminator Salvation twice now, and will probably catch it a third when my little brother decides that he wants to see it. Honestly, it wasn't that bad, it just wasn't very good either. There are robots, things explode, and I guess that was all I was really expecting. I'm turning a blind eye to all of the fundamental issues, because really, this,
Rise of the Machines, and
The Sarah Connor Chronicles are all just bonus nerd wankage. The REAL
Terminator story, for me at least, ended with
Judgment Day.
No, you know what? Scratch that. The whole saga wrapped itself up perfectly in
The Terminator. I've always
liked the first film quite a bit. It's a good, solid movie, with some cool characters and some great action -- But, like everyone else, I've always just shrugged it off as the entryway into the bigger, badder,
Terminator 2: Judgment Day. Watching this film again the other night, though, I realized that I might just be an idiot.
The Terminator is so much more than that. I know there are a few people who are going to want to put me under nerd-arrest when I say this, but mythology-wise, it may have actually done the most for the franchise, back before it was even a franchise, and just a low-budget monster movie.
Take this movie off your shelf, and look at what James Cameron did
so right, and McG did so,
so wrong. Here were a couple of things that I noticed.
The Terminator is a love story.
I know how strange that sounds, but it's true. The primary angle of the story is boy-meets-girl. Sure, boy is trying to protect girl from a cyborg assassin from the future, so that she can give birth to the savior of mankind who will lead the calvary in the inevitable war against the machines -- but that's all almost subplot, at best. The movie holds up so well because it's about Kyle Reese and Sarah Connor meeting and falling in love. All the action comes second.
Terminator Salvation is about robots, explosions, and Christian Bale barking orders at varying volumes. It's hilariously ironic that the theme of the film is supposed to about how our humanity triumphs -- when the human characters are actually the least interesting element of the whole thing. The script is convoluted because it tries to bring the technical elements to the forefront, and they don't hold up to scrutiny and thought. We all love these movies because the characters are so great. Give us more of that, and we'll look past the other elements, and all of the set pieces will have that much more weight.
John Connor sucks.
That's right, I said it.
The prophesied hero of the human resistance is a shitty character.
Connor was at his absolute most bad-ass in the first movie. The one that he wasn't in. In
The Terminator, he's mysterious. We only know what we envision for ourselves in our heads, what the adoring Kyle Reese tells us he is. None of the other films in the series show us "the man that brought us back from the brink", the one "man who taught us to fight, to storm the wire of the camps, to smash those metal motherfuckers into junk" -- just a whiney fuck who we kind of want to choke.
The adult John Connor is best kept to the shadows. Someone we hear about from everyone, but see very little of for ourselves. Why? Because he'll never actually be as cool as the man that we've imagined, or the man that Kyle Reese so desperately looks up to.
So who would be a better hero in his place in
Terminator Salvation?
Kyle, obviously.
He's the true tragic figure of the saga, and is the one that I'm more interested in following in the events leading to 2029. Connor got his chance in
T2 to show us how he began down the path of becoming a leader. In this new
Terminator, I want to see more of how the scrawny teenage Reese becomes a hero.
He's the interesting one, McG, and the one that we should be following -- not just used a plot device.
Spoiler Alert: We win.It flat out says, at the very beginning of
The Terminator, that the future war isn't the story. The events that take place in our present is the story. So, right from the get-go,
Terminator Salvation gets a stake to the heart. We
win the war against the machines before the first film even begins, there are no surprises to be had in that period.
SKYNET sends the first Terminator back in time as a last ditch effort to survive. By doing so, they ensure their own creation (the destroyed Terminator is recovered by Cyberdyne, and reverse engineered to eventually create SKYNET), as well as author their own demise (Kyle Reese, in pursuit of the Terminator, meets Sarah Connor and fathers John). Connor and SKYNET are nearly siblings. Both will grow, and one will eventually destroy the other.
The war simultaniously ends and begins, and everything comes full circle. All of the important elements of the story are shown to us by Cameron right then and there in the first film -- the only thing McG has to left to present to us is filler. Nothing left to see here, folks.
While the first sequel,
Judgment Day, justifies it's existence by centering around trying to avert the coming war entirely,
Rise of the Machines and
Salvation simply don't. There's nothing about the future that
The Terminator hasn't already went and told us.
Though
Terminator Salvation has made me cynical about the future of the franchise, I still thought that, like
Rise of the Machines, it was an entertaining little action spectacle. It was fleeting entertainment, but a fine way to pass the time all the same. The official story, for me, left when James Cameron did, so everything else by this point is just for fun. Any excuse to hear those heavy signature beats at a climactic sequence is fine by me.
But, you know what? The future is not set. Maybe there are still
Terminator stories left out there that will blow me away. I guess we'll see. After all, there's no fate but what we make for ourselves.